Archive for July, 2009

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Work Experience // Day 1

July 28, 2009

ARMC-StreetView Today was the first day of my work experience with Sort Of.. Films; a film and video production company in Sheffield. Since we were shooting today, we begun at 8.30am, with enough time to drive over to Catcliffe where we were capturing shots for several short films to showcase the Advanced Manufacturing Research Centre. The centre is involved with Rolls Royce and Boeing, so a number of innovative products are manufactured there. As well as this, the centre also use robotics and virtual reality which were interesting demos to watch. I was tasked with logging the time codes for each of the shots as Ed shot the footage we needed.

We’d done by lunchtime, so headed back into Sheffield city centre, where the office is based. Whilst capturing the footage into Final Cut, I helped archive a collection of Mini DV tapes in the store room, and backup some older render files to DVD. Without the graphics for the project, I assembled rough cuts for a couple of the films, ready to be completed tomorrow.

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3D Film, What’s the Point?

July 19, 2009

ice_age_dawn_of_the_dinosaurs_ver6_xlg I’ve seen a lot of the Real D 3D digital presentations of films since they launched in 2007 with Beowulf, and since then I’ve been meaning to share my thoughts. Having seen a range of remakes, real life and animated 3D movies now, I’ve come to the conclusion that 3D can compliment a film experience if it’s immersive and worked into the story rather than the shameful pointy gimmickry that many seem to crave from 3D films. The best case in point being My Bloody Valentine 3D, which used a pick axe as the antagonist’s weapon of choice; possibly the pointiest of all weapons used in a horror movie.

Remakes don’t tend to work that well either, as little seems to stand out, other than the initial title graphics and text credits, such as the snow effect used in Nightmare Before Christmas. Sadly, whilst it sort of works in ordinary cinemas, unlike IMAX, the screen isn’t even wide enough to fill your peripheral vision enough to justify the effect. I have no idea how consumer electronics manufacturers believe that they can achieve similar effects in TV services such as Sky 3D.

Ultimately though, I’ll continue to see 3D movies for the digital presentation, particularly movies like Bolt and Ice Age. They’ve been digital throughout production, and I believe deserve to be shown in digital. To me, digital presentation in the cinema highlights detail, which even works in live action movies such as Harry Potter and the Order of the Phoenix (incidentally the first film I saw digitally screened at the cinema).

It’s a shame then that Cineworld recently decided to begin charging to see 3D movies, to justify the costs to them. I believe that they have to pay a license fee to Real D, as well as the glasses, and digital projectors, as well as the cost for the movies themselves. But then, I don’t really care for the 3D, but prefer digital screenings over film. Digital films should also be theoretically cheaper to produce and distribute than film, as essentially it’s a hard drive, and has the added benefit of always looking just as pristine over and over again.

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Would you pay for Spotify?

July 18, 2009

SpotifyInterestingly, as I started to write this, an ad just played for Sky Player, so it’s sort of ironic to say that there’s not any big names backing the music streaming service that millions have fallen in love with. However, ads are few and far between, and it’s hard to see it paying off in the long term. This is reflected by the lack of interest for the paid version, as the ads aren’t annoying enough to justify £10/month.

It’s a shame that the main interest for the advertising comes from small companies/charity organisations, as it has the potential to target a relatively select audience. That’s why I thought that the adverts promoting artist albums would be successful. In practice however, it just leads me to play the album on Spotify itself, or if it’s not available I’ll go to YouTube. It’s little wonder that Spotify are struggling, since they reportedly pay royalties per song rather than a long term licensing deal. At least using P2P, the service isn’t subject to the same kind of costs the likes of YouTube have for hosting/bandwidth. 

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Windows 7 Pre-Order Pricing

July 16, 2009

windows71 Windows 7 is already proving to be a success, as Amazon and Play sold out of their allocated pre-orders after only hours of being on sale, and before I could bag myself at least one copy. Or more specifically, they’re not allowed to sell any more for the bargain price of £50, instead upping the price to £75. So, I’ve turned to the less popular electronics retailer Comet where it’s still available for £45. I picked up two copies as it’s likely that each disc ships with a license for only a single machine. Still, £45 per license is still freaking good value, it’s just a shame Microsoft can’t keep the price this low, as I’m sure most people would rather wait until they buy their next computer than paying nearly £200 for an operating system.

Looks like I’ve seen the back of Windows XP and Vista, and Windows 7 will probably never see Internet Explorer, since it’s been banned from being installed as standard in Europe. Many distros will be shipping with IE8 on a CD-ROM, quite retro really but without a browser on board it’s a bit of a chicken and egg; unless you happen to have a copy of Firefox lying around on a flash drive.

I’m curious to see actual figures of how many copies have been pre-ordered.